polaroidimage1200siPZ6000010 on Flickr.
North Berwick, East Lothian, Scotland.
Shot on early generation Impossible PZ600 film using a Polaroid 1200si camera.
It was a cold day and the Impossible film, which is very temperature sensitive, was having a hard time coping! But I often end up like the results from Impossible film even when it doesn’t work properly!
polaroidimage1200siPZ6000009.jpg on Flickr.
North Berwick, East Lothian, Scotland.
Shot on early generation Impossible PZ600 film using a Polaroid 1200si camera.
It was a cold day and the Impossible film, which is very temperature sensitive, was having a hard time coping! But I often end up like the results from Impossible film even when it doesn’t work properly!
polaroidimage1200siPZ6000011 on Flickr.
North Berwick, East Lothian, Scotland.
Shot on early generation Impossible PZ600 film using a Polaroid 1200si camera.
It was a cold day and the Impossible film, which is very temperature sensitive, was having a hard time coping! But I often end up like the results from Impossible film even when it doesn’t work properly!
polaroidimage1200siPZ6000008 on Flickr.
Broughton St Mary’s Parish Church, Edinburgh, shot using Impossible PZ600 in a Polaroid 1200si camera.
polaroidimage1200siPZ6000002 on Flickr.
Royal Botanic Gardens, Edinburgh, shot using Impossible PZ600 in a Polaroid 1200si camera.
polaroidimage1200siPZ6000003 on Flickr.
Royal Botanic Gardens, Edinburgh, shot using Impossible PZ600 in a Polaroid 1200si camera.
polaroidimage1200siPZ6000006 on Flickr.
Royal Botanic Gardens, Edinburgh, shot using Impossible PZ600 in a Polaroid 1200si camera.
polaroidimage1200siPZ6000001 on Flickr.
Royal Botanic Gardens, Edinburgh, shot using Impossible PZ600 in a Polaroid 1200si camera.
polaroidimage1200siPZ6000005 on Flickr.
Royal Botanic Gardens, Edinburgh, shot using Impossible PZ600 in a Polaroid 1200si camera.
polaroidimage1200siPZ6000010 on Flickr.
East Lothian Coast at North Berwick, shot using Impossible PZ600 in a Polaroid 1200si camera.
These photos were shot some time ago before I had worked out a reliable way to shield the photographs from light as soon as they eject from the camera. (I now use one of the Paul Giambarba outer boxes Impossible used to package Polaroid film in.)
What I love about Impossible film is how even the abject failures can have a beauty all of their own!
